Anybody care to tell me where spring went?? It was 93 F today in Milledgeville and the rest of the week looks like it's going to be just as bad. Oh well, that mild weather didn't last long...
A quick note before I get in to this week's artist: I went to Microcenter yesterday and saw the most awesome novelty CD's of all time. Take a look at these bad boys.
That's right. Digital Vinyl. Unnecessary, yes. Retro(hipster?) magnificence, absolutely. Will I buy more? God willing.
Starting this week out I have a diamond in the rough for you, a local gem that can do nothing but rocket skyward from here.
Bright Lights by J.Goods
Based in Austin, Texas Josh Gonzales "J. Goods" is leading the local hip-hop scene in Austin. Armed with a background as a solo and lead drummer in high school, J. Goods has developed his musical talents and lyrics prowess from an early age and is now taking his career as a rapper, artist, and producer to new heights. With several hits already circulating locally in his hometown you'll be sure to see this young star making waves soon.
Brights Lights, though not one of his touted one-hit wonders, is an excellent example of J. Goods creative talent in the realm of hip-hop. Produced and sung by Russell Lee and co-written by J.Goods the intelligent rhymes and catchy melody forged in Bright Lights is sure to please your ears for weeks to come.
Check out the rest of J. Goods lineup on his soundcloud.
Washing Line Wheel And The Old Mangle by Roof Light
Lulworth Pebbles by Roof Light
In an abrupt change of tune(I always seem to do this...) I present you with Roof Light. Little info is available on who, or what Roof Light, exactly is, but this actually plays better to his vast, eclectic span of musical production. Self-described as "Advanced Soul/Psychedelic Folk/Rhythm And Blues/Field Recordings", Roof Light's sounds range from ambient synth productions to dark, grungy garage beats to decayed, analogue electronica complete with atmospheric "field recordings". Roof Light has been on my radar for awhile but not until the last several weeks as he as released more Board of Canada-esque material have I had a chance to show off this musician's true talent.
Washing Line Wheel and Lulworth Pebbles bring a warm, fuzzy sounds to a down-tempo style atmosphere that I have not heard since Boards of Canada's album Campfire Headcase. Wavering analogue generators, scratchy vinyl sound effects and floating melodies dominate the sounds of both of these tracks and bring a refreshing, old school sound to the table I haven't heard in years. I commend Roof Light for steering his work in this direction and hope it leads him to more undiscovered bounds of musical creative that I, as a listener, can only wait in anticipation for.
Pron__St∆rr (quickie) by yahnLOOKEpicard
Bare with me as a deviate yet again (though not as severely this time!) in to the world of hip-hop. Y∆HN LøÔK∑ PIc∆RD of Minneapolis, Minnesota is an intrumental hip-hop artist that has been experimenting with beats, rhythms, and sounds in a way I didn't think it was possible. If you have ever wondered what a bleeding-edge pioneer of hip-hop sounds like, look no further. His combination of lazy beats and spacey samples meshed with his out-of-the-box line of thinking and production provides for an aural experience unlike anything I've ever heard.
Leave It All Behind feat. The Rebirth & Aima the Dreamer by jboogie dubtronic
Cumbia Dubbin by jboogie dubtronic
Finishing out this post with a smooth and drinkable flavour is J-Boogie, a world-renown DJ and producer influenced by latin soul, hip-hop, electronica and many many more sounds. Leave It All Behind, an r'n'b track influenced by down-tempo beats and a soulful, female vox accompanied by chorus bring me back to the 90's and all their smooth, funky glory. Cumbia Dubbin, a mix by J-Boogie created after a trip to South Africa, showcases classic cumbia and a house sounds and clearly demonstrates J-Boogie's exceptional DJ'ing ability. Be sure to check out his entire library of world sounds on his soundcloud.
Showing posts with label cumbia. Show all posts
Showing posts with label cumbia. Show all posts
Sunday, April 10, 2011
Monday, February 14, 2011
It's this kind of funky, swinging thing...
The past week has been busy for me both academically and musically! As is probably apparent by now, I am an enthusiastic user of Soundcloud. How could I not though? As a electronic music lover Soundcloud is THE place to be right now. Every week I follow more and more incredibly talented artists and continue to expand my knowledge and horizons on the frontier of experimental music. Sometimes it's overwhelming!
Leave The Light On (Stumbleine Remix) preview by Asa.
Starting out is an artist I have just recently discovered, Asa. Although I have stumbled upon this musical mastermind, Asa has been carving out a groundbreaking career since early 2010. The track I bring to you today is a remix of the original track, Leave The Light On, released by Asa about 5 months ago. This remix transforms the dub-centric original into a post-rock reminiscent soul-jerker filled with haunting electric guitar overtones and ghostly, fleeting vocals filled with melancholy lyrics.
With his first release on Screwloose Records Asa has been turning heads, don't miss what this budding artist will be bringing to the table in the coming months.
Old Fashioned by ŤЭKSŤ
My next artist for today, in a change of pace, is San Francisco based hip-hop artist by the name of Tekst. Still attending university, Tekst has been releasing instrumental, hip-hop tracks for a little over half a year now and has seen a following of avid fans grow steadily with his style. Chops, samples, and clever manipulation of the beat are just a few of the tools Tekst uses to produce high-quality(and incredibly catchy, if I say so myself) tunes that are practically begging for some fresh lyrics.
The tune I bring to you today, Old Fashioned, harnesses a multitude of sampled strings and funky beats to get your feet tapping. Uplifting lyrics complete the picture to create a fresh, soulful sound that brings you back to an earlier time when things weren't as complicated. I'd advise all listeners to take a walk on a sunny day while listening to this musical treat!
Cumbia colombiana (y otras delicias locales) by DJ Andres Leguizamon
Now for an artist I have been overdue in showcasing. Two weeks ago on my radio show I featured DJ Andres Leguizamon, a colombia-native deeply immersed in the sound and culture of cumbia and latin jazz. With his early beginnings rooted in house DJ Leguizamon has developed into a global producer, exploring sounds that defy regional and genre borders. His musical scope jumps from nu jazz bullerengue and everything in between.
Cumbia Colombiana, mixed solely for the victims of the flooding in colombia, is a tribute to its inhabitants perseverance and diversity. Look forward to jumping beats, twisted melodies, and far-out latin sounds sure to please your ears.
Wrapping up this post is a more mainstream artist I have been following for some time. Fever Ray, also know as Karin Andersson from the electric dynamo The Knife, released her solo debut album self-entitled "Fever Ray" in 2009. Known for her vocal style of sharp contrasts in pitch and volume, Fever Ray has been performing experimental electronic music on tour for some time now. Along with her unique musical style, Fever Ray is known for her colorful and wild theatrical aesthetics as is apparent from the music video for "When I Grow Up".
More of Fever Ray's music can be found on her soundcloud page.
Before I get started on tracks for this week, I'd like to take a moment and make a quick note of some conflict I am experiencing with this blog...In school right now I am taking a journalism class and I have found that as I write these entries I tend to use a more informal, casual style of writing. More like what my speech would be like in conversation. But, I find myself stopping, deleting, and rewriting sentences with a more formal style because of my class. What should I do? Do I keep it professional and lay back and stay casual? Which do you prefer?
Anyways, in to the music.
Leave The Light On (Stumbleine Remix) preview by Asa.
Starting out is an artist I have just recently discovered, Asa. Although I have stumbled upon this musical mastermind, Asa has been carving out a groundbreaking career since early 2010. The track I bring to you today is a remix of the original track, Leave The Light On, released by Asa about 5 months ago. This remix transforms the dub-centric original into a post-rock reminiscent soul-jerker filled with haunting electric guitar overtones and ghostly, fleeting vocals filled with melancholy lyrics.
With his first release on Screwloose Records Asa has been turning heads, don't miss what this budding artist will be bringing to the table in the coming months.
Old Fashioned by ŤЭKSŤ
My next artist for today, in a change of pace, is San Francisco based hip-hop artist by the name of Tekst. Still attending university, Tekst has been releasing instrumental, hip-hop tracks for a little over half a year now and has seen a following of avid fans grow steadily with his style. Chops, samples, and clever manipulation of the beat are just a few of the tools Tekst uses to produce high-quality(and incredibly catchy, if I say so myself) tunes that are practically begging for some fresh lyrics.
The tune I bring to you today, Old Fashioned, harnesses a multitude of sampled strings and funky beats to get your feet tapping. Uplifting lyrics complete the picture to create a fresh, soulful sound that brings you back to an earlier time when things weren't as complicated. I'd advise all listeners to take a walk on a sunny day while listening to this musical treat!
Cumbia colombiana (y otras delicias locales) by DJ Andres Leguizamon
Now for an artist I have been overdue in showcasing. Two weeks ago on my radio show I featured DJ Andres Leguizamon, a colombia-native deeply immersed in the sound and culture of cumbia and latin jazz. With his early beginnings rooted in house DJ Leguizamon has developed into a global producer, exploring sounds that defy regional and genre borders. His musical scope jumps from nu jazz bullerengue and everything in between.
Cumbia Colombiana, mixed solely for the victims of the flooding in colombia, is a tribute to its inhabitants perseverance and diversity. Look forward to jumping beats, twisted melodies, and far-out latin sounds sure to please your ears.
Wrapping up this post is a more mainstream artist I have been following for some time. Fever Ray, also know as Karin Andersson from the electric dynamo The Knife, released her solo debut album self-entitled "Fever Ray" in 2009. Known for her vocal style of sharp contrasts in pitch and volume, Fever Ray has been performing experimental electronic music on tour for some time now. Along with her unique musical style, Fever Ray is known for her colorful and wild theatrical aesthetics as is apparent from the music video for "When I Grow Up".
More of Fever Ray's music can be found on her soundcloud page.
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